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Grow your readership

Book marketing services built around one real reader

A launch plan with dates and owners, retailer advertising you can see the numbers on, and review outreach done by hand. No promises about sales, because nobody can keep them.

A smiling reader holding a red hardback and a cup of coffee

What it is

Marketing starts with who the book is for

Not "readers of literary fiction". One person, specific enough that you could describe their last three books.

Almost every failed launch we are shown failed at this step. The author wanted everyone to read the book, so the advertising spoke to nobody in particular, and the cover and blurb hedged. Narrowing the reader is what makes every later decision easy: which categories, which keywords, which podcasts, which five bookshops.

From there it is unglamorous work with measurable parts: metadata, a launch sequence, a modest advertising test, and outreach to people who review books like yours. If your category is well defined, it is easier again — there is more on how we approach business book publishing, and on the single biggest conversion factor in what makes a book cover sell.

  • A written launch plan with dates, owners and a budget
  • Advertising run in your own retailer accounts, not ours
  • Review outreach by name, not a mail-merge
  • Monthly reporting with the actual numbers, good or bad

What's included

What a launch campaign includes

Four pieces of work, all of which produce something you keep.

  • Reader and category research

    Who the book is for, which categories they browse, what they already buy.

  • A dated launch plan

    Twelve weeks mapped: pre-orders, review copies, launch week, the month after.

  • Retailer advertising

    Set up and managed in your own accounts, starting small enough to learn from.

  • Review outreach

    A researched list of reviewers, bloggers and podcasts, approached individually.

How it works

How a campaign runs

Five stages across about four months, starting before publication.

  1. 01

    Positioning

    Weeks 1–2

    The reader defined, comparable titles analysed, categories and keywords chosen, and the blurb rewritten if it is hedging.

    Your part: Be honest about who the book is really for, not who you hope reads it.

  2. 02

    Launch plan

    Week 3

    A twelve-week plan with dates, owners and a budget, covering pre-orders, review copies, launch week and the follow-through most launches skip.

    Your part: Tell us what you are willing to do. A plan you will not follow is useless.

  3. 03

    Pre-launch

    Weeks 4–8

    Review copies out to a researched list, pre-orders enabled, your author pages and website updated, and advertising creative prepared.

    Your part: The personal outreach. Your name on the email works better than ours.

  4. 04

    Launch week

    Week 9

    Advertising live at a small daily budget, listings checked across every retailer, and the launch sequence executed to the plan.

    Your part: Be available. Launch week is when opportunities need an answer the same day.

  5. 05

    Ninety days of iteration

    Weeks 10–20

    Advertising adjusted on what the numbers show, categories revisited, and a monthly report with the real figures and a recommendation.

    Your part: Read the report and decide whether to keep spending.

Portfolio

Books we have produced and launched

Cover and production work from author projects, each shown with its real title and author.

  • The Lighthouse Cat — a tabby cat watches the sunset from a lighthouse lantern room above a calm sea

    The Lighthouse Cat

    Marnie Delacroix

  • The Reef at Night — a bioluminescent coral reef glowing against deep blue-black water

    The Reef at Night

    Helena Voss

  • Saltwater Country — a weathered coastal headland above pale sand and shallow turquoise water

    Saltwater Country

    Jenny Harlow

  • The Quiet Advantage — a single ochre circle offset against stacked geometric bands on a cream field

    The Quiet Advantage

    David Ngata

  • Small Repairs — a ceramic bowl mended with veins of gold against a soft warm background

    Small Repairs

    Anna Reith

  • Ash and Ochre — a torn band of ochre pigment across a pale textured field of ash grey

    Ash and Ochre

    Tom Varela

Packages

Where marketing sits in our packages

The first ninety days of marketing are part of the Publish and launch package. Advertising spend is separate and goes to the retailer, not to us — we will recommend a starting budget and a ceiling.

Manuscript

Get the writing right before you spend anything on design.

from$1,900

for a 60,000-word manuscript

  • Written manuscript assessment
  • One round of structural editing
  • Line edit and final proofread
  • Australian spelling and style sheet
  • A call with your editor at each stage
Most chosen

Publish

Everything needed to turn a finished manuscript into a book on sale.

from$4,900

for a 60,000-word manuscript

  • Everything in Manuscript
  • Original cover design, print and ebook
  • Typeset interior for paperback and ebook
  • ISBN registration and legal deposit
  • Retailer and print-on-demand setup
  • A printed proof copy before you sign off
  • You keep the rights and the royalties

Publish and launch

For authors who want readers to find the book in its first month.

from$8,900

for a 60,000-word manuscript

  • Everything in Publish
  • A launch plan with dates and owners
  • Author website with an email sign-up
  • Retailer advertising for the first 90 days
  • Review and bookshop outreach
  • Monthly sales reporting for six months

Every quote is confirmed after we read your manuscript. Prices in Australian dollars and include GST. Longer books and illustrated books cost more, and we will say so before you commit.

Questions authors ask

Book marketing: questions authors ask

No, and anyone who does is lying to you. What marketing can do is make sure the right readers see the book, that the listing converts when they do, and that money is spent where there is evidence it works. Sales depend on the book itself more than on any campaign, and we will tell you if we think the book is the problem.

Start small enough that a failed test does not hurt — a few dollars a day for a few weeks is enough to learn whether your categories and keywords are right. Scale only what shows a return. Authors who begin with a large budget usually spend most of it learning what a small budget would have taught them.

Yours. We set up and manage campaigns inside your own retailer accounts, so you can see every figure and you keep the account history when the engagement ends. Agencies that run ads through their own accounts keep the data, which makes it impossible to judge what you actually bought.

Six to eight weeks before publication for the positioning and review outreach, because review copies need lead time and pre-orders need something to point at. Marketing a book that came out two years ago is still possible, but a launch window is a real advantage and it only happens once.

Not as a managed service, and we will usually advise against paying anyone for it. An account written by someone else sounds like it, and readers notice. What we will do is help you decide which one platform is worth your time, and what to post in launch week.

You will know early, because the reporting shows real numbers monthly. If advertising is not returning, our recommendation will be to stop spending rather than to spend more, and sometimes the honest conclusion is that the cover or the blurb is the limiting factor. We would rather say that than keep billing.

Still have a question? A real publisher will answer it.

Start your publishing journey

A clear way forward

Get a launch plan for your book

Tell us about the book and the reader you have in mind. We will come back with a view on positioning, what a campaign would involve and what it would cost.

  1. 1

    Tell us where your book is now

  2. 2

    We read it and recommend the next step

  3. 3

    You decide with a written quote in hand